As many cinemas were remodelled with the arrival of sound in the s, nowhere else are two very different auditoria found one within the other. The exterior is less successful, particularly since a reduction in the parapets in for safety reasons meant that Bromige’s sequence of flying ribs round the corner of the street frontage went too [these were partially reconstructed at a slightly lower level in the exterior renovation ed’s note ]. They planned to develop the Rio into a centre for dance, drama, music hall, poetry and music, with film, video and photography workshops in the basement. In , the Tatler returned to showing general release films at weekends and survived in this dual role until , when it became the Dalston Classic once again. The blue and pink Art Deco interior was restored in , remaining faithful to Bromige’s design, and the building became Grade II listed in Retrieved from ” https: It also hosts film festivals including the annual Turkish Film Festival, which began at the cinema in
The work began in early and the cinema reopened in August of that year. Elain Harwood of English Heritage and the Cinematograph Theatre Association wrote in prior to the exterior renovation: The ceiling and upper walls of the earlier auditorium survive, only accessible from the roof. The existing ceiling is intended to be retained and a new ceiling provided at a lower level. The new auditorium was to seat just people, with another permitted to stand. Paul Theodorou, who had been running occasional late night Greek language and martial arts films and wanted to try his hand at full time programming, approached Classic with a proposal to take over the cinema. In , Clara Ludski, the owner of an auctioneer’s shop at Kingsland High Street, recognised the growing potential of moving pictures and employed W E Trent, later to become a cinema architect of considerable repute, to plan the conversion of her shop into a seat electric picture house, with a screen behind the on-street paybox and a projection box reached by a ladder from the outside yard.
Rio Cinema is not closing downeastlondonlines. There is no doubt that the Rio is a fine cinema building, and that it exhibits the two dalstkn phases of cinema design in Britain with extraordinary clarity. The Rio supports many festivals, and has programming strands for various community groups, the longest running pensioner screenings in the UK, a parent and baby club, weekly educational school screenings.
Ina pipe organ was installed, and in sound equipment was put into the projection box, which was situated under the circle. It was called the Kingsland Palace and it was among the first full-time cinemas in London.
Cibema programme usually includes one main feature film each week, chosen by Executive Director Oliver Meek and head projectionist Peter Howden. Audiences were not convinced, however, and four months later the grand tradition of the cinema variety was revived in the form of live strip shows.
The building was refurbished in Art Deco style by cult architect FE Bromige in and reopened as the Classic Cinema Dalston,  within the shell of the earlier cinema.
Wikimedia Commons has media related to Rio Cinema. The interior was decorated “in a modern style with sweeping lines, and the colouring is in a grey-blue and warm brown, and the seating a dark red, which is set off by red festoon tabs”.
The cinema was entered from the left of the screen and exited from the right. The Rio has developed into a cinema that is responsive to the interests of sections of the community often ignored by mainstream commercial cinema.
Listed Building — Grade II. InClara Ludski, the owner of an auctioneer’s shop at Kingsland High Street, recognised the growing potential of moving pictures and employed W E Trent, later to become a cinema architect of considerable repute, to plan the conversion of her shop into a seat electric picture house, with a screen behind the on-street paybox and a projection box reached by a ladder from the outside yard.
Of the two other survivors, Action has recently become a church and Harrow survives encased in a sheet metal covering externally and internally is bingo and the Safari Cinema. The building was originally an auctioneer’s shop, converted into the Kingsland Palace in by owner Clara Ludski. It is a popular independent cinema located on Kingsland High Street in Dalston, with a history stretching back over years. The drum over the foyer that remains the chief interest of the building has some ridged effects; but it must be recognised that most of the decoration on the outside was achieved by lettering and neon lighting, and these have now gone.
The Rio became a not for profit company, limited by guarantee and a registered charity. Inthe Tatler returned to showing general release films at weekends and survived in this dual role untilwhen it became the Dalston Classic once again.
During the refurbishment English Heritage stepped in over their concerns about the extent of the work being done but they eventually approved the changes and the building was awarded Grade II listed status.
Rio Cinema, Dalston
There he designed a number of bizarrely curvaceous cinemas, which may be considered a bridging point where the extremes of art deco and moderne styles meet. Rio, Dalston, Londontheguardian. In other projects Wikimedia Commons. This, with almost no alteration is the Rio as it is today. Elain Harwood of English Heritage and the Cinematograph Theatre Association wrote in prior to the exterior renovation:.
The stalls on the ground floor seatand the circle open on busy days seatsthe new second screen in the basement seats 28 with a wheelchair space. The auditorium was elaborately appointed with blind icnema, lavish balcony fronts and paired Ionic columns either side of the proscenium arch — over which were draped neo-Grecian lovelies supported on heavy swags.
Such was the success of the Palace that the adjacent premises on either side were acquired to build a proper cinema. Elain Harwood of English Heritage and the Cinematograph Theatre Association wrote in prior to the exterior renovation: The building opened in as the Kingsland Empire.
Rio Cinema | Open House London
The current chairman of the board is Patrick Lyons. Most sumptuous of all was the high hexagonal tower above the corner entrance, whose form is retained in the present foyer, but whose former height cannot be imagined from the present structure.
Rio Cinema, Dalston – Wikipedia
The Adams and Coles plans had made ril for an air raid shelter against Zeppelin raids, and in the basement was finally put to such a use — though apparently only after the evening performance was over. The Working Party was replaced by a new Management Committee, elected from the membership, who decided to concentrate the Rio’s activities on the visual media of film, video and photography.
These range from arthouse to blockbusters.