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I found it troubling how she was portrayed to be an easy spirit to trick and scare. Besides that, she looked real badass how she wielded her staff and sat commanding on a rock with her lustrous dreads. Abdulai Abdul Rahman deserves applause for all the running he did playing Katari; I can only imagine how much cardio he had to put in. They were well synced, grammatically correct and consistent with onscreen action. I forgot to post links to their previous projects…those too look interesting. Talk about the story of yaa asentewah, the Ashanti defeat of the brits, and the various rich histories of the people from the north and the Volta region; those are the kinds of stories we want to see on our screens.

I found it troubling how she was portrayed to be an easy spirit to trick and scare. Talk about the story of yaa asentewah, the Ashanti defeat of the brits, and the various rich histories of the people from the north and the Volta region; those are the kinds of stories we want to see on our screens. Every single effect is functional, sweet and simple. Katari was rather flat, easily accepting his fate and going with the flow without serious question. I immediately drew similarities to Kratos from the God of War video game franchise. Not a single terminator, or azonto skeleton ala kumawood in sight. While not Hollywood dope nor Bollywood hilariously epic, it totally shits on Nollywood, Kumawood and Ugawood aka Kinauganda Ugandan cinema. It robbed me of the fun and challenge, elements that would have endeared the characters to me more.

I forgot to post links to their previous projects…those too look interesting. The main drawbacks for me were the mediocre animation of a zooming arrow and the blood make up, boy did the latter especially suck. She did however end the pilot on a cliffhanger, revealing to Katari that Montana whom he had just trapped in a gourd was actually his real father.

They were well synced, grammatically correct and consistent with onscreen action. Images via Northern Ghana Culture. Case in point, the hardworking fishermen at our coasts; pure strength, no vanity.

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I did immediately say hey…thats god of war… also. Katari was rather flat, easily accepting his fate and going with the flow without serious question. The acting thus, was considerably okay. Every single effect is functional, sweet and simple.

The acting at some points were rigid and forced but I imagine improvements are on the way. He wore what I can only assume is a batoro accompanied by knee high Greek sandals. Nothing is over the top ridiculousness. Besides that, she looked real badass how she wielded her staff and sat commanding on a rock with her lustrous dreads.

The Rise of Montana is the first ever series in Dagbani, the language of the Dagomba with an entirely local cast and crew. By continuing to use this website, you agree to their use. Notify me of new posts via email.

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I love his potbelly so much I thought he might use it as a shield. You are commenting using your WordPress. Not a single terminator, or azonto skeleton ala kumawood in sight.

How ever did I forget to touch on that? The opening credits reminded me of the Lord of The Rings because of how they opened in a brown and rusty looking ring with glowing, golden clouds as a backdrop.

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It robbed me of the fun and challenge, elements that would have endeared the characters to me more. Montana seemed like a well-rounded character considering his mysterious origin and connection with fred spirit world, the markings on his body, his seeming muteness, and the possibility that he is descended from the very person that buried him.

Note that, this review is my raw take on the pilot without influence. The scores were entertaining with the occasional cheesy Nigerian horror-flick sounds. I immediately drew similarities to Kratos from the God of War video game franchise. I found it troubling how she was portrayed to be an easy dagbnai to trick and scare. Ahmed tells me Pieli will span 12 episodes and will be screened in Kumasi and Accra through the year.

Talk about the story of yaa asentewah, the Ashanti defeat of the brits, and the various rich histories of the people from the north and the Volta region; those are the kinds of stories we want to see on our screens. I have always believed the northern folktales are more interesting and better suited for our cinemas.

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I hang my head in shame.

Dagbabi site uses cookies. While not Hollywood dope nor Bollywood hilariously epic, it totally shits on Nollywood, Kumawood and Ugawood aka Kinauganda Ugandan cinema. Sorry, your blog cannot share posts by email. The biggest lesson I gleaned from the pilot was the concept of the universe forbidding clansmen from hurting each other. The episode was professionally made, the video is nicely graded with lighting well accounted for.

The smoke was rather… well done.

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Fill in your details below or rfee an icon to log in: He was overflowing with confidence and was undeterred in the face of trouble. Post was not sent – check your email addresses! The fight scenes were mostly believable, with the occasional phony sequences cropping up. Cancel reply Enter your comment here The weapons props were definitely real damula and piam bow and arrow and takobu swords. Can I raise my head now? So, tell me, what do you think??? While the episode kept true to the architecture of the time, I noticed a nail in one of the moovies that looked very out dagbxni place and time.

I loved the costumes to bits chale. Abdulai Abdul Rahman deserves applause for all the running he did playing Katari; I can only imagine how much cardio he had to put in. Massive thought and consideration went into the obviously scripted scenes, helping the series stay consistent leading up to the twist at fee end.

I especially enjoyed his bold, calculated strides, laid back demeanor and his large potbelly. The reviewer seems to be an expert on Western classics but definitely a great review that stirs up interest. Ill keep an eye out for the full episode.